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Classical Tradition in Eighteenth-Century Western Music

Research Project

Project/Area Number 06610049
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field 美学(含芸術諸学)
Research InstitutionSeijo University

Principal Investigator

TSUGAMI Eske  Seijo University, Faculty of arts and literature, assistant prof., 文芸学部, 助教授 (80197657)

Project Period (FY) 1994 – 1996
Project Status Completed (Fiscal Year 1996)
Budget Amount *help
¥1,700,000 (Direct Cost: ¥1,700,000)
Fiscal Year 1996: ¥300,000 (Direct Cost: ¥300,000)
Fiscal Year 1995: ¥500,000 (Direct Cost: ¥500,000)
Fiscal Year 1994: ¥900,000 (Direct Cost: ¥900,000)
KeywordsMimesis / Aristotle / Music / Concept Art / Poetics (Aristotle) / Ch.Batteux / プラトーン / グロケイオ / 古典の伝統 / アリストテレース主義 / バトゥ / 模倣論 / J.J.ヴィンケルマン / Ch.W.グルック / 音楽上の古典主義 / 「自然」の概念
Research Abstract

This research project aims, with a relativization of modern view of music as the ultimate object, to throw a fresh light upon the thought in which music was incorporated into the category 'art', from a hitherto neglected angle of 'classical tradition'. The issue is formulated into four topics :
1. What is 'classical tradition' in Western music?
2. What is the nature of Aristotle's mimesis which provided a framework for the modern conception of art?
3. How did eighteenth-century thinkers (mis-) interpret this concept?
4. In which way were the classical tradition within the realm of music and the general thought on art inherited from antiquity incarnated in the eighteenth -century activities of music?
Following this order, our research results are summarized below.
1. Our concept of 'music' has remained intensionally and extensionally the same as Greek mousike of the fourth century B.C.Western Music also owes to the Greeks its digital definition of pitch and duration of sounds and the concept 'composition' as a consequence of this. While ancient music did not inspire later creation through remnant specimens, its image gathered from indirect evidences did lead modern musical practice.
2. Mimesis in Aristotle's Poetics is more concerned with truth than beauty intuited through senses, in that it unveils a truer aspect of an object represehted. The much-disputed notion of catharsis should be interpreted as liberation from ignorance by means of recognizing a truth.
3. Ch.Batterux in the mid-eighteenth century understood Aristotelian mimesis exclusively in relation to beauty, thus contributing to establishing art as 'beaux arts'. This view, biased as it appears to us, reflects the modern aisthetic notion of art.
4. The results concerning this point should be reserved for a later report, because our research is still in progress.

Report

(4 results)
  • 1996 Annual Research Report   Final Research Report Summary
  • 1995 Annual Research Report
  • 1994 Annual Research Report
  • Research Products

    (17 results)

All Other

All Publications (17 results)

  • [Publications] 津上 英輔: "ヴィンチェンツォ・ガリレーイと古代楽譜断片:西洋音楽における古典の伝統の一断面" 美学. 45-1. 31-41 (1994)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 津上 英輔: "古代人の模倣と自然の模倣:ヴィンケルマン『ギリシャ人の絵画・彫刻作品の模倣についての考察』における自然の概念" 美学美術史論集. 10. 153-170 (1995)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 津上 英輔: "Influence of Aristotle's De anima on European Musical Sensitivity" Revista di musicologia. 41. 2181-2186 (1996)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 津上 英輔: "「この人はあの人だ」(アリストテレース『詩学』第4章):現実開示の途としてのミ-メ-シス" 美学美術史論集. 11. 45-69 (1997)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 津上 英輔: "Sivero musica/mathematica:グロケイオ『音楽論』におけるアリストテレース主義" 美学藝術学研究. 15. 188-202 (1997)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 津上 英輔: "Την τωυ τοιουτωυ παθηματωυ/μαθηματωυ καθαρσιυ:アリストテレース『詩学』の「カタルシス」" 成城文芸. 161. 212-222 (1998)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 今道 友信: "精神と音楽の交響" 音楽之友社, 495(47-76) (1997)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] TSUGAMI Eske: "'Imitation of the Ancients and Imitation of Nature : Concept Nature in Winckelmann's Gedancken uber die Nachahmung' (in Japanese)" Bigaku-Bijutsushi Ronshu. 10. 153-170 (1995)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] TSUGAMI Eske: "'Influence of Aristotle's De anima on European Musical Sensitivity' (in English)" Revista de musicologia. 41. 2181-86 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] TSUGAMI Eske: "'"This man is that man" (Aristotle's Poetics, ch.4) : Mimesis as a Path to Truth' (in Japanese)" Bigaku-Bijutsushi Ronshu. 11. 45-69 (1997)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] TSUGAMI Eske: "'Si vero musica/mathematica : Aristotelianism in Grocheio's De musica' (in Japanese)" Bigaku-Geijutugaku Kenkyu. 15. 188-202 (1997)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] TSUGAMI Eske: "'tauetanu tauomegaupsiron tauomicroniotaomicronnutauomegaupsiron pialpharhetaetamualphatauomegaupsiron / mualpharhetaetamualphatauomegaupsiron kappaalpharhetaalpharhosigmaiotanu : Catharsis in Aristotle's Poetics' (in Japanese)" Seijo Bungei. 161. 212-222 (1998)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] TSUGAMI Eske: "'Vincenzo Galilei and Notated Examples of Ancient Music : An Aspect of Classical Tradition in Western Music' (in English)" Aesthetics. 8. 92-101 (1998)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 津上英輔: "Sivero musica/mathematica : グロケイオ『音楽論』におけるアリストテレース主義" 美学芸術学研究. 15. (1997)

    • Related Report
      1996 Annual Research Report
  • [Publications] 津上英輔: "この人はあの人だ(アリストテレース『詩学』第4章)" 美学美術史論集. 11. (1997)

    • Related Report
      1996 Annual Research Report
  • [Publications] 津上英輔: "古代人の模倣と自然の模倣:ヴィンケルマン『ギリシャ人の絵画・彫刻作品の模倣についての考察』における「自然」の概念" 成城大学『美学美術史論集. 10. 153-170 (1995)

    • Related Report
      1995 Annual Research Report
  • [Publications] 津上英輔: "Influence of Aristotle's De anima on European Musical Sensitivity" Revista de musicologia. 41. (1996)

    • Related Report
      1995 Annual Research Report

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Published: 1994-04-01   Modified: 2016-04-21  

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