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A Comparative study on sound expression, sound perception and aesthetic consciousness among the peoples in Central Borneo

Research Project

Project/Area Number 07610048
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field 美学(含芸術諸学)
Research InstitutionShimane University

Principal Investigator

SIMEDA Takasi  Shimane University, Faculty of Education, associate professor, 教育学部, 助教授 (40202113)

Project Period (FY) 1995 – 1996
Project Status Completed (Fiscal Year 1996)
Budget Amount *help
¥2,200,000 (Direct Cost: ¥2,200,000)
Fiscal Year 1996: ¥400,000 (Direct Cost: ¥400,000)
Fiscal Year 1995: ¥1,800,000 (Direct Cost: ¥1,800,000)
KeywordsBorneo / Kalimantan / Sarawak / Penan / Kenyah / music / サラワク / クニヤ / 音
Research Abstract

In order to achieve the objectives shown in the proposal, computer-aided data processing has undertaken. The data dealt here could be divided into three categories. The first is verbal information obtained by myself directly through field researches conducted from 1983 to 1996 (tape-recorded and/or written down). The second category consists of sound recordings, still photos, videotaped materials, and, though very few, some written or printed materials obtained from the field. Thirdly, there are many articles and books concerning the area, mostly by the Europeans as early as late 1880s. By virtue of the recent high performance of personal computers, most of the data concerned were digitalized. Analysis and intepretation based on these data resulted the following :
(1) The Penan Gang (or Aput) and Punan Benalui are the same group.
(2) These Penan (Punan) people stopped contacting each other since as late as the middle of the 19th century.
(3) These Penan (Punan) people have had close contact with the Kenyah Badeng and the Kenyah Umaq Pawa for a long time.
(4) Sound expression, sound perception and aesthetic consciousness among these Penan groups are strikingly the same.
(5) There are considerable differences on all points of above (4.) between the Kenyah concerned and the Penan groups, though there are some general similarities on the aspects of performing practice and musical form.
(6) The Penan musical tradition has been, presumably, maintained through the consistent sense of sound and aesthetic consciousness based on their kinaesthetic (motor) sense.

Report

(3 results)
  • 1996 Annual Research Report   Final Research Report Summary
  • 1995 Annual Research Report
  • Research Products

    (6 results)

All Other

All Publications (6 results)

  • [Publications] ト田隆嗣: "身体・感覚・宗教-ボルネオ島の事例から" 記号学研究. 17. 57-66 (1997)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] ト田隆嗣: "声の力-ボルネオ島プナンのうたと出すことの美学" 弘文堂, 232 (1996)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] SHIMEDA,Takasi: "Body, sense and religion : a Borneo case (in Japanese)" Studia Semiotica. 17. 57-66 (1997)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] SIMEDA Takasi: The Power of Voice : song and aesthetics of expression/excretion of the Penan in Borneo (in Japanese).Tokyo : Kobundo, (1996)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1996 Final Research Report Summary
  • [Publications] 〆田隆嗣: "身体・感覚・宗教-ボルネオ島の事例から" 記号学研究. 17. 57-66 (1997)

    • Related Report
      1996 Annual Research Report
  • [Publications] 〆田隆嗣: "声の力-ボルネオ島プナンのうたと出すことの美学" 弘文堂, 232 (1996)

    • Related Report
      1996 Annual Research Report

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Published: 1995-04-01   Modified: 2016-04-21  

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