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On a function of studio・art・market・collection

Research Project

Project/Area Number 08610050
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field 美学(含芸術諸学)
Research InstitutionHirosaki University

Principal Investigator

OZAKI Akihiro  Hirosaki University, Faculty of Humanities, Associate Professor, 人文学部, 助教授 (80160844)

Project Period (FY) 1996 – 1997
Project Status Completed (Fiscal Year 1997)
Budget Amount *help
¥1,800,000 (Direct Cost: ¥1,800,000)
Fiscal Year 1997: ¥600,000 (Direct Cost: ¥600,000)
Fiscal Year 1996: ¥1,200,000 (Direct Cost: ¥1,200,000)
KeywordsNetherlands / Rubens / Rembrandt / market strategy / studio / オランダ絵画 / 想像の共同体 / オランダ / 美術商
Research Abstract

Painters of Netherlands had a studio more or less and made production of paintings and Education of pupils. The ambitious studio, which is the most important inside, is a that of Rubens. An ideal method of the studio gave big influence to Rembrandt. He lived with Antwerp after return home from ltaly and established a large-scaled studio there. He declined a count painter of Albert grand duke and princess Isabera which were those days, a ruler of Flanders, and he was peculiar in the point that was able to be active from control of painter association of a town freely, compared with another studios manager to it. As a result I released it from the agony of the thing which turned authority of the Imperial Court into a back, Rubens avoided limitation of sale of painter's association and he acquired a right to sell them. There was not an example by this, and the technique of picture productions of Rubens was unique. In other words, even if he was a work finished by one oneself or did not receive a difference in the selling price only by a design. Rubens was able to take a way that many works were judged by a high price by doing it in this way. Rembrandt receive influence from sale strategy of such Rubens, and it is Rembrandt that burnt a hot spirit of rivalry. He acquired an advatage of picturing market strategy in a way of a studio of this Rubens that is a name of a painter as a kind of brand name. It is possible for Rembrandt to have been the greatest understanding person of Rubens in this. sense.

Report

(3 results)
  • 1997 Annual Research Report   Final Research Report Summary
  • 1996 Annual Research Report
  • Research Products

    (6 results)

All Other

All Publications (6 results)

  • [Publications] 尾崎 彰宏: "レンブラントの≪貝殻≫(B.159)をめぐる一視点-東洋へのまなざし-" 日蘭学会会誌. 20. 1-20 (1996)

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      1997 Final Research Report Summary
  • [Publications] A.OZAKI: "A New Approach to Rembrandt's Etching"The shell"" Bulletin of the Japan-Netherlands Institute. Vol.20 (No.40). 1-20 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      1997 Final Research Report Summary
  • [Publications] 尾崎彰宏: "レンブラントの《貝殻》(B.159)をめぐる一視点" 日蘭学会会誌. 20・2号. 1-20 (1996)

    • Related Report
      1997 Annual Research Report
  • [Publications] 尾崎彰宏: "レンブラントの《貝殻》(B.159)をめぐる-視点" 日蘭学会会誌. 20巻2号. 1-20 (1996)

    • Related Report
      1996 Annual Research Report
  • [Publications] 尾崎彰宏: "カ-レル・ファン・マンデル『絵画の書』(1604)(三)(史料翻訳)" 文化紀要. 44号. 25-48 (1996)

    • Related Report
      1996 Annual Research Report
  • [Publications] 尾崎彰宏: "カ-レル・ファン・マンデル『絵画の書』(1604)(四)(史料翻訳)" 文化紀要. 45号. 1-27 (1997)

    • Related Report
      1996 Annual Research Report

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Published: 1996-04-01   Modified: 2016-04-21  

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