| Project/Area Number |
09610310
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
文化人類学(含民族学・民俗学)
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| Research Institution | Tohoku University |
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Principal Investigator |
NARISAWA Masaru Center for Northeast Asian Studies, Tohoku University Professor, 東北アジア研究センター, 教授 (00180539)
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| Co-Investigator(Kenkyū-buntansha) |
ASANO Haruji Kokugakuin Junior College, Dept., of Japanese Literature Lecturer, 国文科, 専任講師 (30289714)
MARUYAMA Hirosi Center for Northeast Asian Studies, Tohoku University Assistant Professor, 東北アジア研究センター, 助教授 (00229626)
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| Project Period (FY) |
1997 – 1998
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| Project Status |
Completed (Fiscal Year 1998)
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| Budget Amount *help |
¥2,900,000 (Direct Cost: ¥2,900,000)
Fiscal Year 1998: ¥1,400,000 (Direct Cost: ¥1,400,000)
Fiscal Year 1997: ¥1,500,000 (Direct Cost: ¥1,500,000)
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| Keywords | figure of body / figure of society / Taoist ritual / image of dead body / sacrifice / around chinese culrure / theatrical art / Gigaku / 朝鮮仮面 / 儀礼空間 / 供物 |
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| Research Abstract |
We, three menders in this project, attempted from their each view point that in the ritual or theatrical actions around Han (*) -Chinese culture, how a living body had been dealt, how a real society had been reimaged, and inside of the new figure how the newly-symbolized body had been imaged. As the result of microscopic observation and analysis we could find out the new contact-detonated phases which was made within the ritual space.
On the other hand, a Han (*) -transcendental cultural phase was certified in the movement of Gigaku (**) -a distinctive theate in anciant Far East-, which could symbolize the society descended from Chinese culture.
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