| Project/Area Number |
11480026
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Cultural property science
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| Research Institution | Tokyo National University of Find Arts and Music Guraduate School of Fine Arts |
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Principal Investigator |
UTADA Shinsuke Tokyo National University of Fine Art and Music Graduate School of Fine Arts Professor The University Art Museum Director, 大学美術館・館長 教授 (30272644)
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| Co-Investigator(Kenkyū-buntansha) |
INABA Masamichi Tokyo National University of Fine Art and Music Graduate School of Fine Arts Assistant Professor, 美術研究科, 助教授 (50135183)
SATOU Ichiro Tokyo National University of Fine Art and Music Faculty of Fine Arts Professor, 美術学部, 教授 (30143639)
SAKAMOTO Kazumichi Tokyo National University of Fine Art and Music Faculty of Fine Arts Professor, 美術学部, 教授 (50107330)
KANBA Nobuyuki Tokyo National Museum Superviser, Conservation and Restration (Part-time teacher of Tokyo Nationak University of Fine Arts and Music), 学芸部, 保存修復管理官(本学非常勤講師) (50169801)
ITO Yumi Conservation instllute 21 worker researcher, 修復研究所21, 研究員(本学非常勤講師)
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| Project Period (FY) |
1999 – 2001
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| Project Status |
Completed (Fiscal Year 2001)
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| Budget Amount *help |
¥13,100,000 (Direct Cost: ¥13,100,000)
Fiscal Year 2001: ¥1,600,000 (Direct Cost: ¥1,600,000)
Fiscal Year 2000: ¥1,200,000 (Direct Cost: ¥1,200,000)
Fiscal Year 1999: ¥10,300,000 (Direct Cost: ¥10,300,000)
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| Keywords | Cnservation and Restration / oil painting techniques and materials / Scientific Investigation / Period of Meiji era / Gaiko-ha / Shlnpa(Muresakiha) / Kuroda Seiki / Western Painting Course, Tokyo Bijutsu gakko |
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| Research Abstract |
The study makes observation on oil painting works in the latter period of Meiji era from preserved works of The University Art Museum Tokyo National University of Fine Arts ＆ Music including the works by teachers of Western Painting Course, Tokyo Bijutsu gakko to research the aged deterioration, preservation and restoration condition, and to reveal the oil painting techniques and materials of Seiki Kuroda's group called"Gaiko-ha"as well as the idea and practical entire view of Tokyo Tokyo Bijutsu Gakko from the viewpoints of painting techniques and materials in addition to painting preservation and restoration skills.
Observation of the works are carried out by general surveying the actual works, visible light photos (normal photo, side-light photo, and microscope photo), ultraviolet fluorescent photo, infrared-ray photo, and X-ray photo. Adding the study result leads a completed research from the first period to the latter period of Meiji era. As a result, the following facts were revealed.
Through the analysis, etc. of the works, disadvantageous points of zinc white including cracks and removal of upper-layer pigments are pointed out, but some works has the base layer of zinc white as the main component, and the adhesion with the pigment layer was favorable. Accordingly, a new study theme to research the reason was recognized.
Also, ultraviolet fluorescent photo revealed the combination use of lead white and zinc white and that it is effective to judge the used areas.
Through the entire research, it was revealed that painting techniques and materials were lightly considered after the latter period of Meiji era in order to lay stress on "Expression" in comparison with the first period of Meiji era when the introduction of formal oil painting technique was considered important. In addition, the investigation to oil painting materials and techniques had not been actively carried out because of being engaged in the transfer of new art movement of Europe.
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