| Project/Area Number |
11610329
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
文化人類学(含民族学・民俗学)
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| Research Institution | Waseda University |
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Principal Investigator |
INAHATA Koichiro Waseda University, School of Literature, Professor, 文学部, 教授 (30063803)
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| Co-Investigator(Kenkyū-buntansha) |
WADA Osamu Waseda University, School of Literature, Associate Professor, 文学部, 助教授 (20240541)
HASHIMOTO Hiroyuki Chiba University, School of Literature, Associate Professor, 文学部, 助教授 (70208461)
HOSOI Naoko Rikkyo University, Department of Social Relations, Associate Professor, 社会学部, 助教授 (40219184)
INABA Akiko Waseda University, School of Human Sciences, Instructor, 人間科学部, 講師 (50298197)
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| Project Period (FY) |
1999 – 2000
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| Project Status |
Completed (Fiscal Year 2001)
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| Budget Amount *help |
¥3,700,000 (Direct Cost: ¥3,700,000)
Fiscal Year 2000: ¥500,000 (Direct Cost: ¥500,000)
Fiscal Year 1999: ¥3,200,000 (Direct Cost: ¥3,200,000)
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| Keywords | China / Nuo-xi / masque |
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| Research Abstract |
Although the masque that remains in the Chinese whole country had a very important meaning when considering not only the history of the China Theater but the China culture, it did not attract attention until recently. Issei Tanaka "the history of the China Theater", the masque accompanying rural ceremony and courtesy could be ripened as a fixed research genre at last.
As a following stage, marking will be asked to attach into culture supposing a certain kind of "basis culture" with a larger viewpoint, while developing the enhanced analysis of structure research of courtesy, a dance and a chant by themes. This research starts it.
Professor Tuo Xiuming from Guizhou Ethnic Institute is asked the co-ordination of the China investigation as an overseas co-operator from the beginning. He looks down a south-west area as "Introduction to the Nuo-xi in south-west" based on the actual result of the Guizhou area investigation of a ten or so past year. Chen Yuping from this institute are developing original viewpoint about Nuo-xi in Qianbei area from an angle of the private sector ceremony and courtesy for a local community. From the research exchange with the Anshun area investigation and the local researcher covering two or more times, Japan side Inaba discovers and presents the exception of a "rehearsal tone" and a "production tone" about the structure of the words and the song of Anshun-Dixi. Moreover, from Nuo-xi study group in the Meitan area and the Folk Religion Office in Daozhen area that is a local cooperator offered the precious materials at the spot.
Although the idea "basis culture" tended to be wide and vague, in this research, each member tried to solve steadily by narrowing down a concrete material setting up the limited period of two years. I believe it is possible to clarify the outline by accumulating each study in the future.
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