A Study of Tableau Vivant
| Project/Area Number |
12610053
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
美学(含芸術諸学)
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| Research Institution | KYOTO UNIVERSITY |
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Principal Investigator |
SHINOHARA Motoaki Faculty of integrated Human Studies, Professor, 総合人間学部, 教授 (60135499)
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| Project Period (FY) |
2000 – 2002
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| Project Status |
Completed (Fiscal Year 2002)
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| Budget Amount *help |
¥3,400,000 (Direct Cost: ¥3,400,000)
Fiscal Year 2002: ¥600,000 (Direct Cost: ¥600,000)
Fiscal Year 2001: ¥800,000 (Direct Cost: ¥800,000)
Fiscal Year 2000: ¥2,000,000 (Direct Cost: ¥2,000,000)
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| Keywords | tableau vivant / performance / contemporary arts / show / fashion / acrobatics / performing art / popular culture |
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| Research Abstract |
For three years, I studied the history and present state of tableau vivant. I tried to collect data by books and by trips at home and abroad. As result, I found these six directions for research.
1. history of tableau vivant: mainly since the late Middle Ages of Europe.
2. cinema: mainly in the movies.
3. picture: in relation to pictorial frames, which are masterpiece, motif, picture frame and so on.
4. sculpture: in relation to sculpturesque frames, which are masterpiece, motif, pedestal and so on.
5. stage: in performing arts.
6. body: show, make-up art, performance of contemporary arts and so on.
When I studied tableau vivant along those directions, I found its width and depth, which are beyond my expectations. Tableau vivant implies making mobile body still. It would be necessary to study its reason. For it, I should consult the study of other fields including psychiatry.
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Report
(4 results)
Research Products
(12 results)
