| Project/Area Number |
14510192
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
社会学(含社会福祉関係)
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| Research Institution | Kobe University |
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Principal Investigator |
UOZUMI Kazuaki Kobe University, Faculty of Cross-Cultural Studies, professor, 国際文化学部, 教授 (30112072)
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| Co-Investigator(Kenkyū-buntansha) |
AOKI Tsutomu Kobe University, Faculty of Human Development, professor, 発達科学部, 教授 (30093173)
SUEMOTO Makoto Kobe University, Faculty of Human Development, professor, 発達科学部, 教授 (80162840)
HAGUI Nobuo Yasuda Women's University, Faculty of letters, associate professor, 文学部, 助教授 (70341196)
NOBUHIRO Tomoe Yasuda Women's University, Faculty of letters, associate professor, 文学部, 助教授 (80198613)
KAYA Noriko Osaka Kyoiku University, associate professor, 教育学部, 助教授 (70314440)
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| Project Period (FY) |
2002 – 2004
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| Project Status |
Completed (Fiscal Year 2004)
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| Budget Amount *help |
¥3,500,000 (Direct Cost: ¥3,500,000)
Fiscal Year 2004: ¥500,000 (Direct Cost: ¥500,000)
Fiscal Year 2003: ¥1,300,000 (Direct Cost: ¥1,300,000)
Fiscal Year 2002: ¥1,700,000 (Direct Cost: ¥1,700,000)
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| Keywords | hand writing / calligraphies / appraisal / writing brush / ink stick / sociology / graphology / physiology |
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| Research Abstract |
The research results of each investigators in these years can be summarized as follows;
1.K.Uozumi found out through eyes of an aesthete and an informational technology that the work of calligraphies called SENJIMON by Zhi Rong is really original. Analyzing the density of ink transferred to images of Letters by a scanning system of computer, he brought to a conclusion the question on which many people had discussed for a long lime.
2.N.Hagui and T.Nobuhiro found out that the name of letters carved on the stone preserved at the Museum of carved letters in the age of han and wei should be changed from "ZHU QI GING FEN TAN KE SHI" to "KUANG QI GING FEN TAN KE SHI", by re-examining them from a methodological view point of epigraphy and philology.
3.M.Suemoto found out that a value of calligraphies could be found in a field of activities by adults who enjoy writing letters not only from an artistic point of view but also from a sociological and educational point of view, based on a comparative study on differences between Japan and China in a cultural tradition of calligraphies.
4.N.Kaya clarified that the reason why Japanese girls could get an ability of writing so fast compared to another countries exist in a cultural tradition of Kana-letters in Japan through an analysis on differences between a feminine formulation and a masculine formulation in it.
5.T.Aoki in collaboration with A. Wada clarified from a physiological point of view how physical elements of calligraphies as glue which fasten an ink stick and a smell of it are effective to an appreciation of works and to a healing of mind for a person who see them.
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