| Project/Area Number |
14510534
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
英語・英米文学
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| Research Institution | Aichi University of Education (2003-2005)
Kobe City University of Foreign Studies (2002) |
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Principal Investigator |
MINAMI Ryuta Aichi University of Education, Faculty of education, Associate Professor, 教育学部, 助教授 (60247575)
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| Project Period (FY) |
2002 – 2005
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| Project Status |
Completed (Fiscal Year 2005)
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| Budget Amount *help |
¥2,800,000 (Direct Cost: ¥2,800,000)
Fiscal Year 2005: ¥500,000 (Direct Cost: ¥500,000)
Fiscal Year 2004: ¥700,000 (Direct Cost: ¥700,000)
Fiscal Year 2003: ¥600,000 (Direct Cost: ¥600,000)
Fiscal Year 2002: ¥1,000,000 (Direct Cost: ¥1,000,000)
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| Keywords | Theatres in Early Modern London / pamphlet plays / Restoration drama / actors in early modern England / puppet plays / 王政復古期喜劇 / 市(fair)の演劇 / 演劇史 / イギリス初期近代演劇 / 演技 / 演技論 / 市 / イギリス演劇 / ドル-リー・レイン劇場 / 市(fair) / 勅許劇場 / ジョゼフ・アシュベリー / 初期近代イギリス演劇 / 初期近代イギリス文化 / 内乱期 / パンフレット演劇 / 市(フェア) |
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| Research Abstract |
In the course of the four-year research project, the investigator (Minami) has carried out comprehensive research on popular theatrical entertainments in early modern England. The research, which is based on primary sources published in early modern England, focused on two topics : (1)theatrical entertainments such as puppet shows, freak shows and drolls shown at fairs or non-legitimate playhouses/stalls, which had not been recognized as an established field of English studies until recentl y; (2)interactions between the illegitimate theatres or stalls at fairs and licensed theatres in London in the late 17th and early 18th centuries. The four-year study of these two closely related topics led to indicate how the established legitimate theatre activities in London were dependent upon the popular/informal/illegitimate/temporal theatrical shows, and vice versa. One of the notable findings made in the course of this research is the closely-knit cooperative interaction of performers between theatrical establishments and non-legitimate playhouses and stalls. Some part of the research results include the publications of chapters `The Politics of Puppet Plays : Popular Theatrical Entertainments in Early Modern England' in Does the Theatrical City Open Pandora's Box? (Tokyo : Arina,2002) and ‘The Triumvirate of the Drury Lane : Politics of Theatres in early 18th Century London' in Table Talk and English Literature (Tokyo : Sairyusha,2006) along with oral presentations at conferences.
The investigator (Minami) is hoping to continue the present research, which, not being completed yet, is to be developed into a comprehensive history of popular theatrical entertainments in early modern England.
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