| Co-Investigator(Kenkyū-buntansha) |
IKEDA Shinobu Chiba University, Faculty of Literature, Associate Professor, 文学部, 助教授 (90272286)
HIGH Peter B. Nagoya University, Graduate School of Languages and Cultures, Professor, 大学院・国際言語研究科, 教授 (90208900)
KINOSHITA Naoyuki Tokyo University, Graduate School of Humanities and Sociology, Associate Professor, 大学院・人文社会系研究科, 助教授 (30292858)
YASUMATSU Miyuki Beppu University, Facility of Literature, Associate Professor, 文学部, 助教授 (40331095)
KURUSHIMA Hiroshi National Museum of Japanese History, Associate Professor, 助教授 (30161772)
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| Budget Amount *help |
¥14,700,000 (Direct Cost: ¥14,700,000)
Fiscal Year 2004: ¥6,200,000 (Direct Cost: ¥6,200,000)
Fiscal Year 2003: ¥8,500,000 (Direct Cost: ¥8,500,000)
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| Research Abstract |
Process)This joint study has at first endeavored to collect original materials concerning the theme, such as "SHASIN=SHHO", YASUKUNIEMAKI" and so on. Each member has investigated on particular issues with these materials. The research group has organized colloquiums 7 times in the term, where discussions on the interim research reports were hold. The joint research has analyzed the representations in war times from points of view of gender post-colonialism, history of film, history of modern design etc., which has been shared by each members.
Results)The investigation as a whole has brought an important cognition that the representations in war times, especially in the 2^<nd> world war, are deep connected with national identities and imperial control on the one side and with the transformations of art and the aesthetic system in the 20^<th>. Century on the other side. The particular points and results of arguments are shown in the themes of papers, which the members contributed for the
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collection of essays that is printed as a main result of the research : (IKEDA, Shinobu) representations of women in Chinese dress in Japanese picture ; (KAWADA, Akihisa) representation of war concerning with YASUKUNI shrine ; (KOZAWA, Setsuko) representation and expression of experience of atom bomb ;. (YASUMATSU, Miyuki) drawing of German prisoner in the 1^<st>. W.W ; (ICHINOSE, Toshiya) representation of defeated nation in the album of Siberian internment, (KANEKO, Atsushi) representation of >Japan< in colonial museums ; (Brij Tankha) representation of Hero by Japanese Buddhists in the wartime ; (Peter B.High) Japanese Film in national policy and bureaucrats and Kikuchi Kan ; (MORI, Hitoshi) Japanese functionalism design in wartime ; (Steffi Richter) Hitler-film "Untergang" and Tojo-film "Pride" ; (KONO, Wakana) books for children in 1920-1930er Russia ; (UEMURA, Kiyoo) A.Martini and pubric sculpture in fascist Italia ; (NAGATA, Kenichi) design and the formation of aesthetic subject in Nazi time.
Other results in details are published as books, essays and catalogs of art exhibition.
In December 2005 the international symposium with foreign guest speakers on the theme "War and Art" is going to hold by this research group in order to release the result. Less
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