| Co-Investigator(Kenkyū-buntansha) |
YAMANASHI Emiko Independent Administrative Institution National Research Institution for Cultural Properties, Tokyo, Coordination-Archives Section, Head, Archives Section Chief, 協力調整官・情報調整室, 室長 (30170575)
SHIOYA Jun Independent Administrative Institution National Research Institution for Cultural Properties, Tokyo, Dep.of Fine Arts, Senior Researcher, 美術部, 主任研究官 (90311159)
|
|---|
| Budget Amount *help |
¥2,900,000 (Direct Cost: ¥2,900,000)
Fiscal Year 2005: ¥1,100,000 (Direct Cost: ¥1,100,000)
Fiscal Year 2004: ¥900,000 (Direct Cost: ¥900,000)
Fiscal Year 2003: ¥900,000 (Direct Cost: ¥900,000)
|
|---|
| Research Abstract |
As for the Japanese history of arts research of former modern times, the modelling supreme principle which designates the talking and the western modern fine arts which so far center Europe and Tokyo as the model was the center.
As for purpose of this research, the modern Japanese artists have, it is related depth of their respective native places and to make variety clear. Because of that, from the below-mentioned three points of view, you considered.
1 artists are, "the place" and to body the expression
2 artist and the area edge
3 artist and the religion feeling which are converted
In this research, there being the above-mentioned point of view, it picked up 5 artists of KURODA Seiki, Aoki Shigeru, YORODU Tetsugoro, KOGA Harue and SAKAMOTO Hanjiro on the center.
Concerning these artists, there is accumulation of suitable research already, at today also the positioning which includes the appraisal in modern times history of arts almost has become fixed. On the one hand, fine investigation is continued in each area, knowing so far it was not, many facts are made clear.
This research, while integrating with the former research result and the research result of each area, is the artist, and basic research in order to establish the new methodology for work research.
|
