| Project/Area Number |
15520169
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
ヨーロッパ語系文学
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| Research Institution | Kyoto University |
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Principal Investigator |
SUZUKI Masashi Kyoto University, Graduate School of Human and Environmental Studies, Professor, 大学院人間・環境学研究科, 教授 (50091195)
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| Project Period (FY) |
2003 – 2006
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| Project Status |
Completed (Fiscal Year 2006)
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| Budget Amount *help |
¥3,400,000 (Direct Cost: ¥3,400,000)
Fiscal Year 2006: ¥500,000 (Direct Cost: ¥500,000)
Fiscal Year 2005: ¥800,000 (Direct Cost: ¥800,000)
Fiscal Year 2004: ¥1,300,000 (Direct Cost: ¥1,300,000)
Fiscal Year 2003: ¥800,000 (Direct Cost: ¥800,000)
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| Keywords | Joseph Wright of Derby / The Corinthian Maid / William Hayley / Josiah Wedgwood / Lunar Society / Royal Academy of Arts / Ut Pictura Poesis / Ekphrasis / レノルズ / ブレイク / ホガース / 美術講義 / ジョシュア・レノルズ / ウィリアム・ブレイク / サー・ジョシュア・レノルズ |
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| Research Abstract |
With an increasing interest in paintings, sculptures and architectures, Eighteenth-Century England is often referred to as an age of "pictorial turn". In the present research project, an attempt is made to investigate into the complex relations among literary works, art works and aesthetic theories in terms of the politics and society in Eighteenth-Century England. Trying to combine and transverse individual and particular studies on the age helps us grasp in total apparently fragmentary and isolated phenomena of the culture, which were in fact deeply interrelated with each other; they were sometimes interacting, and sometimes opposing or transgressing each other. Detailed analyses were also made of Sir Joshua Reynolds's Discourses on Art with special reference to the problematic relations of visual and verbal representations.
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