| Project/Area Number |
15K02018
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Philosophy/Ethics
|
|---|
| Research Institution | Tokyo Denki University |
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Principal Investigator |
HONGO Hitoshi 東京電機大学, 工学部, 教授 (00229246)
|
|---|
| Project Period (FY) |
2015-04-01 – 2018-03-31
|
| Project Status |
Completed (Fiscal Year 2017)
|
| Budget Amount *help |
¥2,600,000 (Direct Cost: ¥2,000,000、Indirect Cost: ¥600,000)
Fiscal Year 2017: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2016: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2015: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
|
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| Keywords | メルロ＝ポンティ / 芸術論 / ジャンケレヴィッチ / ハイデガー / アンリ / 存在論 / 中間領域 / 音楽 / クレー / 言語 / 身体 |
|---|
| Outline of Final Research Achievements |
French phenomenologist Merleu-Ponty has three papers on art. They are basically targeted at paintings. In his later years, Merleu-Ponty was greatly influenced not only by Cezanne but also by Paul Klee. In Klee's paintings, music had an important meaning. However, in Merleu-Ponty's theory of art, music is not treated. So, I considered with Vladimir Jankélévitch who treats the music and also Michel Henry's "Voir l'invisible", which was close to music while not talking about it.
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