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Jazz reception in Germany during 1920/30s

Research Project

Project/Area Number 15K02106
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeMulti-year Fund
Section一般
Research Field Aesthetics and studies on art
Research InstitutionKyoto University

Principal Investigator

Akeo Okada  京都大学, 人文科学研究所, 教授 (70243136)

Project Period (FY) 2015-04-01 – 2018-03-31
Project Status Completed (Fiscal Year 2017)
Budget Amount *help
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2017: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2016: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2015: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Keywordsジャズ / 戦間期 / 受容史 / 20世紀音楽 / ヨーロッパ / モダニズム / アメリカ / ドイツ / 第一次大戦
Outline of Final Research Achievements

Jazz reception in Europe differs from that in America in that it was understood as “Art”, not as entertainment. On 1920/30s, the epoch in which Europe lost world hegemony by the shock of the First World War, jazz was received in Europe as a Symbol of New World/ New Epoch. It was the reason why so many classic-modern composers in Europe was so enthusiastic for jazz at that time.

Report

(4 results)
  • 2017 Annual Research Report   Final Research Report ( PDF )
  • 2016 Research-status Report
  • 2015 Research-status Report
  • Research Products

    (3 results)

All 2017 2016 2015

All Book (3 results)

  • [Book] クラシック音楽とは何なのか2017

    • Author(s)
      岡田暁生
    • Total Pages
      268
    • Publisher
      小学館
    • Related Report
      2017 Annual Research Report
  • [Book] ウィーン総合芸術に宿る夢2016

    • Author(s)
      岡田暁生
    • Total Pages
      476
    • Publisher
      竹林舎
    • Related Report
      2016 Research-status Report
  • [Book] メロドラマオペラのヒロインたち2015

    • Author(s)
      岡田暁生
    • Total Pages
      252
    • Publisher
      小学館
    • Related Report
      2015 Research-status Report

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Published: 2015-04-16   Modified: 2019-03-29  

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