Research on the transition of the use of lead white and shell white in Japanese paintings
Project/Area Number |
15K02158
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Multi-year Fund |
Section | 一般 |
Research Field |
Fine art history
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Research Institution | Independent Administrative Institution National Institutes for Cultural Heritage Tokyo National Research Institute for Cultural Properties |
Principal Investigator |
HAYAKAWA Yasuhiro 独立行政法人国立文化財機構東京文化財研究所, 保存科学研究センター, 部長等 (20290869)
|
Co-Investigator(Kenkyū-buntansha) |
城野 誠冶 独立行政法人国立文化財機構東京文化財研究所, 文化財情報資料部, 専門職員 (70470028)
|
Project Period (FY) |
2015-04-01 – 2018-03-31
|
Project Status |
Completed (Fiscal Year 2017)
|
Budget Amount *help |
¥4,680,000 (Direct Cost: ¥3,600,000、Indirect Cost: ¥1,080,000)
Fiscal Year 2017: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2015: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
|
Keywords | 彩色材料 / 白色絵具 / 蛍光X線分析 / 日本画 / 顔料 / 鉛白 / 胡粉 / 日本絵画 / 白色顔料 / 蛍光X線分析 |
Outline of Final Research Achievements |
Previous studies have revealed that lead white and shell white, which have been mainly used for white colorant of Japanese paintings, have greatly different uses and main use period. In this study, we investigated many Japanese paintings representing each era by non-destructive and non-contact scientific methods, and clarified the situation of the use of lead white and shell white. As the results, in the paintings from Heian to Kamakura period only lead white is used, then the conversion from lead white to shell white occurred during Muromachi to early Edo period. In the Edo period it is revealed that shell white is exclusively used in Japanese paintings.
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Report
(4 results)
Research Products
(4 results)