| Project/Area Number |
15K02170
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
桐山 孝司 東京藝術大学, 大学院映像研究科, 教授 (10234402)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥4,680,000 (Direct Cost: ¥3,600,000、Indirect Cost: ¥1,080,000)
Fiscal Year 2017: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2016: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2015: ¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
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| Keywords | ショット / 統計 / 大ヒット映画 / 映画史 / 映像表現 / ショット分析 / 映像の会話表現 / 映像表現のナショナリティ / ショット統計 / 映像の数理的形 / アメリカ映画 / 日本映画 / フランス映画 |
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| Outline of Final Research Achievements |
In order to find a pattern from the length of the shot, work on statistically processing a set of several shots was advanced. Aggregate the shots with the frame length and divide them into 5 groups. Find out what features this combination has. The procedure is as follows. ① Look at the distribution of each group by the total number by country. ② Pay attention to combination strings of parts and extract chains for each work. ③ Aggregate it, refer to the work and verify how to use it. At that stage, I used the size of the shot to identify the differences between each film in Japan, the United States and France. Although we also made a comparison with silent movies, because of the lack of silent movie material in Japan, data extraction and aggregation remained at a limited stage.
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