Study of Innovativeness and popularization brought about by collaborative works in the modernization of performing arts

Research Project

Project/Area Number	15K02189
Research Category	Grant-in-Aid for Scientific Research (C)
Allocation Type	Multi-year Fund
Section	一般
Research Field	Art at large
Research Institution	Meiji University
Principal Investigator	OBAYASHI NORIKO 明治大学, 文学部, 専任准教授 (00335324)
Project Period (FY)	2015-10-21 – 2018-03-31
Project Status	Completed (Fiscal Year 2017)
Budget Amount *help	¥3,900,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥900,000) Fiscal Year 2017: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000) Fiscal Year 2016: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000) Fiscal Year 2015: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Keywords	舞台芸術 / ポピュラリティ / 新奇性 / 協働製作 / コラボレーション / マックス・ラインハルト / オペレッタ / 演出家 / 祝祭劇 / 劇場改革 / 客演公演 / ドイツ / 演劇史 / 劇作家協会 / 舞台芸術家協会 / シュテルン / ラインハルト
Outline of Final Research Achievements	The purpose of this research was to rethink European performing arts and culture in the 1910s and 1930s from the viewpoint of community or collaboration in the theatre.In today theatrical production, forms of production by "fragile team" such as small unit, producer system and collaborative production are increasing. It is different from the traditional theater grouping tied with specific thought and philosophy. In this research I tried to reexamine the questions of the modernization of the performing art as sprouting season.