| Budget Amount *help |
¥4,420,000 (Direct Cost: ¥3,400,000、Indirect Cost: ¥1,020,000)
Fiscal Year 2017: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2016: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2015: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
|
|---|
| Outline of Final Research Achievements |
This study dealt mainly with the question of how stage curtains were used in early performances of Shakespearean and contemporary plays. The early modern stage was almost bare. The curtains in front of the discovery space would therefore have contributed to the mood and atmosphere of scenes. Through examining early printed play texts and theatrical manuscripts, I have been able to find useful pieces of evidence which support several important conclusions, including the following three. (1) The early modern playing companies had the custom of using black hangings for tragedies, and they chiefly used curtains portraying scenes from biblical, classical and mythological stories for comedies and non-tragic plays. (2) When there were shifts of tone in the play, the stage curtains were changed so as to reinforce the changed atmosphere. (3) Location changes of a certain pattern would also have involved the changing of curtains.
|
