Bernard Heidsieck and the lyrism of the French avant-garde poetry
| Project/Area Number |
15K02384
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
European literature
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| Research Institution | Shobi University |
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Principal Investigator |
KUMAKI Atsushi 尚美学園大学, 総合政策学部, その他 (90738618)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥2,600,000 (Direct Cost: ¥2,000,000、Indirect Cost: ¥600,000)
Fiscal Year 2017: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2016: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | 前衛詩 / 音声詩 / フランス詩 / フランス文学 / フランス現代詩 |
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| Outline of Final Research Achievements |
I revealed the complementary relationship between sound and text in Bernard Heidsieck's work, a French sound poet. The use of text (visual poetry), one of the major features of French sound poetry, plays a important role for its lyrical subject, and by reading the subject is transformed greatly by voice and a new poetic subject is created. Also, I revealed that Heidsieck’s poetic practice is not limited to reading, but linked with physical representation, that is performance, and I clarified the aspect that his poetry intends to interact with audiences.
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Report
(4 results)
Research Products
(8 results)
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[Presentation] 声と文字2015
Author(s)
熊木淳
Organizer
日本フランス語フランス文学会
Place of Presentation
明治学院大学
Year and Date
2015-05-30
Related Report
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