| Project/Area Number |
15K02438
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Chinese literature
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| Research Institution | Kobe University |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
廣澤 裕介 立命館大学, 文学部, 准教授 (20513188)
林 香奈 京都府立大学, 文学部, 准教授 (30272933)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥4,290,000 (Direct Cost: ¥3,300,000、Indirect Cost: ¥990,000)
Fiscal Year 2017: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2016: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2015: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 罪 / 罰 / 禍福 / 不幸 / 不孝 / 中国古典文学 |
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| Outline of Final Research Achievements |
From pre Qin Dynasty to Han Dynasty, a thought widely existed that the behavior of the ancestors had an influence on the fortune and misfortune of the descendants. After later Han Dynasty, people became to think that a problem of career advancement came from a problem of fortune and misfortune, as a sense of guilt became thinner. Cao Zhi implied himself suffering from a groundless “crime” by writing his “own crime” in poetry, even in his work without the word of “crime”.
The splitting of the family is mostly described tragically in colloquial style novels, and in the scene of the reencounter the son apologizes to his parents and they cheers up each other, however, in He-Han-Ji one of the music drama of Yuan Dynasty, some tricks of the laughter are studded with even over such scenes of disintegration and reencounter.
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