| Project/Area Number |
15K02973
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Archaeology
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
二宮 修治 東京学芸大学, 教育学部, 名誉教授 (30107718)
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| Research Collaborator |
SINMEN Toshiyasu
KINO Kayoko (ZUGITANI Kayoko)
FUJIKAKE Yasuhisa
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2017: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | 考古学 / 肥前色絵磁器 / 17世紀中葉 / 材料 / 技術 / 意匠 / 祥瑞 / 自然科学分析 / 文化財科学 / 陶磁器 / 肥前 / 近世 / 色絵 / 分析 / 色絵（古九谷・祥瑞・プレ鍋島） / 上絵付の技術 |
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| Outline of Final Research Achievements |
Porcelain domestic development wasn't done until 1610 's in Japan. So, Samurais used Chinese tableware, too. But, and these design of the Hizen china and technology improved on leaps and bounds from 1640 's to the second half in 1650 's in about only 30 years. I looked for what the one with which this progress was supported. The Chinese Porcelain and Japanese ceramics had been used for long time, and these had a big influence about the design (design) on the Polychrome Porcelain in Hizen.
One of the important things is the special quality as the raw material formed out of a chemical change about porcelain clay. It was refined as the material. The material of the pigment and, technology of the design and Painting, and this progress has happened.
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