Equipment and Nature in French Modern Houses
| Project/Area Number |
15K06399
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Architectural history/Design
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| Research Institution | Hiroshima University |
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Principal Investigator |
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2017: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2015: ¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
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| Keywords | ル・コルビュジエ / シャルロット・ペリアン / アイリーン・グレイ / 装備 / 家具 / 壁 / 自然 / 標準棚 / 日本 / 茶の本 / 民藝 / 窓 / 庭園 |
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| Outline of Final Research Achievements |
Based on the comparative study between Eileen Gray and Charlotte Perriand, mainly on architect Le Corbusier, I revealed the concept of "equipment" in French modern houses and its practical method. The subject of "equipment" reduced to furniture elements of chairs, desks and cabinets finally converges to the problem of "wall". That is, Le Corbusier explores a new "wall" and Perriand leads the "wall" to disassembly. There is no boundary between "wall" and "furniture" in the case of Gray. Such differences are related to how to catch "nature" outside the wall, and this research clarified the pluralistic aspects of "space transparency" in modernism architecture.
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Report
(4 results)
Research Products
(15 results)
