| Project/Area Number |
15K16635
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Kitami Institute of Technology |
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Principal Investigator |
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2017: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 美学 / 芸術 / 感性 / フランス / 習慣 / 飽き / 哲学 / かわいい / かっこいい / 創造 / 芸術学 |
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| Outline of Final Research Achievements |
First of all,in our research we examined closely modern and contemporary theories of habitude and analysed the notion of habitude.Then we tried to see how the notion of habitude is concerned with the notion of creation.We found that the habitude connected to the creation as the implication of the notion of habitude turned from the stability to the changeability with the empiricist turn of the theories of habitude.Then we found also that the boredom has the ambivalent function of passiveness of the creation.The boredom is the emotion of avoiding the familiarized things as well as the renewal from inside.The boredom like this is what Merleau-ponty calls "the sense of alienation” in "the rearrangement of body schema", and what Hideo KAWAMOTO explains the “synthetic sensibility”.
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