| Budget Amount *help |
¥3,900,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥900,000)
Fiscal Year 2018: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2017: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2016: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Outline of Final Research Achievements |
The Sumiyoshi school, which was active through its exponent painters patronized by the shogunate in the Edo era, is critical in the study of the trends of Edo-era yamato-e. However, research past the first and second heads of the school, Jokei and Gukei, who were active in the early Edo era, is scarce. In this research, I have first conducted a survey of the works of the successive family heads, research on whom is lagging, from the mid-Edo era to the late Edo era (third head: Hiroyasu, fourth head: Hiromori, fifth head: Hiroyuki, sixth head: Hironao, seventh head: Hirotsura, and eighth head: Hirokata), and indicated characteristics in their painting styles. Then, I widened the survey to include painters on the periphery of the Sumiyoshi school; specifically showed how the expression methods and subjects, which were the specialty of the Sumiyoshi school, spread; and specifically clarified mutual influences between painters of the Sumiyoshi school and other schools of that era.
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