| Project/Area Number |
15K16668
|
|---|
| Research Category |
Grant-in-Aid for Young Scientists (B)
|
| Allocation Type | Multi-year Fund |
|---|
| Research Field |
Art at large
|
|---|
| Research Institution | Doshisha University (2017)
Kyushu University (2015-2016) |
|---|
Principal Investigator |
Kawahara Daisuke 同志社大学, グローバル・コミュニケーション学部, 助教 (20724024)
|
|---|
| Project Period (FY) |
2015-04-01 – 2018-03-31
|
| Project Status |
Completed (Fiscal Year 2017)
|
| Budget Amount *help |
¥2,600,000 (Direct Cost: ¥2,000,000、Indirect Cost: ¥600,000)
Fiscal Year 2017: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2016: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
|
|---|
| Keywords | アメリカ / 映画 / 映画産業 / 文化産業 / デジタル化 / ハリウッド / アメリカ映画 / 技術移行 / デジタル / ポリティカル・エコノミー / 映画館 / デジタル・シネマ / ニュー・ハリウッド / 新自由主義 |
|---|
| Outline of Final Research Achievements |
This project aims to offer a critique of the political economy surrounding the digital transition in the U.S. film industry since the late 1980s to the present. Analyzing the contexts of deregulation of media ownership, global transformation of the film market, and Hollywood-led technical standardization of digital cinema, the project considered how the neolibral ideology and policy constituted a basis on which the digital transition has been played out.
|
