| Project/Area Number |
15K16671
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Art at large
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| Research Institution | Ritsumeikan University |
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Principal Investigator |
MASUDA Nobuhiro 立命館大学, 先端総合学術研究科, 非常勤講師 (70726364)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
Fiscal Year 2017: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 映像メディア / アニメーション / バイオテクノロジー / バイオアート / 映像論 / メディア論 / 生命科学 / 美学・感性論 / 映像技術 / 写真 / 映画 / 可視化 / アニメーション論 |
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| Outline of Final Research Achievements |
"The Possibilities of Media Theory on the Life Science" is a research project which examines the relationship between media theory and life science in terms of history, theory, and practice. From the historical perspective, it reveals that the life science of 20th century couldn't have developed without image media as a material support. And in the theoretical terms, these developments can be a resource to reconsider the media theory after digital technology. At last, we can observe the movement of Bio Art as a practice embodying these historical and theoretical ideas from the end of 20th century, in order to indicate the media as a place which alternate the definitions of our life dramatically in the interplay of life science and image technology.
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