| Project/Area Number |
15K16699
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Literature in English
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| Research Institution | Tokyo Metropolitan University |
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Principal Investigator |
Tsuji Hideo 首都大学東京, 人文科学研究科, 准教授 (70571892)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
Fiscal Year 2017: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | ヘミングウェイ / ラリフ・エリソン / スタイル / ニューディール / 誰がために鐘が鳴る / ヴァナキュラー / マーサ・ゲルホーン / ラルフ・エリソン / 誰がために鐘は鳴る / エリソン / リンチ |
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| Outline of Final Research Achievements |
Building on my archival research from which I observed that Ernest Hemingway's influence on Ralph Ellison was particularly heavy in the 1930s, I began to pay closer attention to the cultural significance of 1930s America on Ellison and Hemingway, especially on Hemingway's novel, For Whom the Bell Tolls (1940). The novel not only features one of the chief messages of 1930s left culture, a message of anti-lynching, it also foregrounds proletarians in the figures of Spanish guerillas in much the same manner as the cultural and literary works of 1930s America, the age of FDR's New Deal when cultural representations most prominently spotlighted the "people." Thus I have concluded that what Hemingway did in that novel can be more fully acknowledged when we compare it with the vernacular in the 1930s.
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