| Project/Area Number |
15K21280
|
|---|
| Research Category |
Grant-in-Aid for Young Scientists (B)
|
| Allocation Type | Multi-year Fund |
|---|
| Research Field |
Fine art history
Art at large
|
|---|
| Research Institution | Aichi University of the Arts |
|---|
Principal Investigator |
BANNO Tomohiro 愛知県立芸術大学, 美術学部, 准教授 (00713679)
|
|---|
| Research Collaborator |
YASUI Ayako 愛知県立芸術大学, 美術学部, 非常勤講師
|
|---|
| Project Period (FY) |
2015-04-01 – 2018-03-31
|
| Project Status |
Completed (Fiscal Year 2017)
|
| Budget Amount *help |
¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2017: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2016: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2015: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
|
|---|
| Keywords | 金磨き付け / 雲母地 / 金箔 / やまと絵屏風 / 古典絵画技法 / 室町時代やまと絵屏風 / 金磨きつけ / 技法復元 |
|---|
| Outline of Final Research Achievements |
Majority of the folding screen with Yamato-e painting from the middle age are decorated with gold, silver and mica leaves. Notably, ideas are beginning to take root, stating the distinct gold and silver-flecked design represents ‘Gold-plated folding screen’ in the ancient document during the Muromachi period. Nonetheless, as ‘Gold-plated folding screen’ remains little known, we attempted to recapture the piece by focusing on the technical aspect. After having some prototypes ready for examination, we found that smooth surface and thickness of the gold leaf contributed to the brightness of the leaf. Some mica undercoating have grainy texture and so they need to be either polished before sprinkling the gold leaf or work on the surface with the sprinkled gold leaf to produce a glossy appearance on the leaf. We assume the method can also be applied for further refining the mica undercoating with the thickness on the gold-leafed surface.
|
