| Budget Amount *help |
¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2017: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Outline of Final Research Achievements |
At the beginning of his career as a poet, Andre Breton composed prose poems by applying the famous automatic writing. The movement of writing therefore follows a linear genesis. However, in the 1920s, the poet gradually gives importance to the form of free verse. Thanks to this form, each verse has the chance to reorient the course of the poem. Thus, poetic writing in Breton becomes much more flexible by containing several possible starting points of the speech in a single poem. In the 1930s, on the one hand, Breton enlarged the range of the idea of automatism, and on the other hand, he groped the possibility of the poem-object which actualizes a latent reality hidden in small everyday objects. The poetics of the poem-object is based on a poetic description that goes beyond the old dualism of perception and representation. In the 1940s, Breton used this poetics to renew the real world.
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