The contribution of the Italian "academies" to opera: the period of C. Monteverdi
| Project/Area Number |
16H06786
|
|---|
| Research Category |
Grant-in-Aid for Research Activity Start-up
|
| Allocation Type | Single-year Grants |
|---|
| Research Field |
Aesthetics and studies on art
|
|---|
| Research Institution | Tokyo National University of Fine Arts and Music |
|---|
Principal Investigator |
Hagihara Rika 東京藝術大学, 音楽学部, 助手 (70783398)
|
|---|
| Project Period (FY) |
2016-08-26 – 2018-03-31
|
| Project Status |
Completed (Fiscal Year 2017)
|
| Budget Amount *help |
¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
Fiscal Year 2017: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
|
|---|
| Keywords | アカデミー / アッカデーミア / モンテヴェルディ / 17世紀 / 北イタリア / イタリア・オペラ / 音楽劇 / イタリア / 宮廷 / コラーゴ |
|---|
| Outline of Final Research Achievements |
This study’s purpose is observing the contribution to opera of the Italian "academies" organized by noblemen in the Seventeenth century in northern Italy. I started my research by setting the target years: the period of Claudio Monteverdi’s activity, and the target academies. As the fruits, I researched the activity of Emilio de’ Cavalieri, roman nobleman, in the Florence academy, next, I researched the activity of the Jewish artists in Mantuan academy. Then I examined the early context of theatres in Venice because there were the academies that had a private theatre. In addition, I organized the symposium in commemoration of the 450th anniversary of Monteverdi's birth.
|
Report
(3 results)
Research Products
(8 results)
