Cultural Context of British Color Field Painting
| Project/Area Number |
16K02273
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | The University of Tokyo |
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Principal Investigator |
Kajiya Kenji 東京大学, 大学院総合文化研究科, 准教授 (70453214)
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| Project Period (FY) |
2016-04-01 – 2019-03-31
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| Project Status |
Completed (Fiscal Year 2018)
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| Budget Amount *help |
¥3,250,000 (Direct Cost: ¥2,500,000、Indirect Cost: ¥750,000)
Fiscal Year 2018: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2017: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2016: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | イギリス美術 / アメリカ美術 / 抽象絵画 / カラーフィールド絵画 / セント・アイヴズ派 / 美術史 / 西洋美術史 |
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| Outline of Final Research Achievements |
This research investigated the cultural context of British Color Field paintings in the 1950s and 1960s. It focused on three painters, Robyn Denny, Richard Smith and John Hoyland, to examine their relationship with abstract paintings by St Ives School artists and American contemporary paintings. It revealed that British Color Field painters, unlike St Ives School painters, developed their paintings, chiefly via exhibitions of American contemporary art including Abstract Expressionism, with an emphasis on formal aspects of artworks.
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| Academic Significance and Societal Importance of the Research Achievements |
本研究は、イギリスのカラーフィールド絵画を抽象絵画の国際的な展開の中に位置付けることで、1960年代イギリス美術の重要な局面を明らかにするものである。戦後イギリス美術史を修正して、現代美術の複数的な歴史を明らかにしつつ、現代美術がグローバル化する中でイギリス美術が果たした役割を明らかにする点に意義がある。
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Report
(4 results)
Research Products
(6 results)
