| Project/Area Number |
16K02289
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | Hiroshima Jogakuin University |
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Principal Investigator |
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| Project Period (FY) |
2016-04-01 – 2020-03-31
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| Project Status |
Completed (Fiscal Year 2019)
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| Budget Amount *help |
¥4,680,000 (Direct Cost: ¥3,600,000、Indirect Cost: ¥1,080,000)
Fiscal Year 2019: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2018: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2017: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2016: ¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
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| Keywords | 美術史 / 日本史 / 絵師 / 宮廷 / 地下官人 / 墓碑 / 古記録 / 画壇 / 下橋敬長 / 近世絵画 / 宮廷画壇 / 文献史料 |
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| Outline of Final Research Achievements |
The whole group of painters who work for the Imperial court is regarded as the Courtier painters, this research is a fundamental research of the lineage of them and the court society chronologically and macroscopically. Along with the background, this is a basic research to elucidate the relationship with the court society. This research conducted research based on historical documents, and also conducted a field survey of the graves of painters, who are now at a loss and are in a critical situation.
As a result, in addition to discovering the names and works of Imperial Court painters who had never been known in art history research, and the specific uses that they participated in, it was possible to get a glimpse of unknown works and contents of that were well known. It was ready to build a history of the Imperial Court painters in early modern age.
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| Academic Significance and Societal Importance of the Research Achievements |
本研究の特徴は、美術史研究の感覚的評価ではなく、同時代的な位置づけが見えてくること、作品の現存しない絵師も同時代に位置づけることができることにある。さらに画系的、出自的背景の解明により宮廷絵師を正当に評価することが可能となる。
本研究では公卿家・地下官人家などに伝来した記録類を渉猟し、そこから宮廷絵師の御用や動向を示す記事を拾い、編年化することで通時的な宮廷画壇史を構築することを目指したが、作品が現存しないために研究の緒にもつけなかった絵師や作品のみ残って事績が明らかでなかった絵師について多くの情報を収集することが出来た。これらの情報を還元することで、近世絵画史はより豊かなものになるはずである。
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