| Budget Amount *help |
¥3,250,000 (Direct Cost: ¥2,500,000、Indirect Cost: ¥750,000)
Fiscal Year 2020: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2019: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2018: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2017: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Outline of Final Research Achievements |
This study has attempted to recognize different trends in the Russian thought about signs in the early 20th century. The difference between Bakhtin's and Vigotsky's semiotics can be understood as an opposition between conflicting cultural paradigms of the "phenomenology of the face" and the "control of the body." The dialogism in Bakhtin, which has derived the greatest inspiration from the works of Dostoevsky, can be reinterpreted in the context of the transformation of the imagination about the "face" in the 19th century. And Vigotsky's idea of the affective sign, resonating with contemporary physiology and avant-garde art, makes a great contribution to what is called the "affective turn" in cultural theory in recent years.
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