| Project/Area Number |
16K13291
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Multi-year Fund |
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| Research Field |
Archaeology
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| Research Institution | Kyoto University |
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Principal Investigator |
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| Research Collaborator |
CHENG Hao
WANG Xing
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| Project Period (FY) |
2016-04-01 – 2019-03-31
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| Project Status |
Completed (Fiscal Year 2018)
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| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2018: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2017: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | 考古学 / 美術史 / 中国史 / 鏡 / 漢 |
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| Outline of Final Research Achievements |
Based on the analysis of the inscriptions, I divide lines of the craftsmen school of the mirrors with the image of divinities and animals (or Shen-shou mirrors) roughly into four periods. In the first period, Guan-han school founded in Sichuan, created Shen-shou mirrors with ring-like nipples in the second century. In the second period, Zhang-shi Yuangong working at Wu-jun and Xiang-fang began to imitate the Shen-shou mirror of Guan-han school in 180s, and broke up into three types of Shen-shou mirror with the unidirectional, the contrapositional and the stratified arrangements in 190s. In the third period, Kuai-ji school founded about 215 A.D., imitated the three types of Shen-shou mirrors in the second period, but there are plenty of noteworthy aspects to the inscriptions mentioned with a date of casting and its sign of the Chinese sexagenary cycle. In the fourth period, Wu and Kuai-ji school mainly produced Shen-shou mirrors with the contrapositional arrangement.
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| Academic Significance and Societal Importance of the Research Achievements |
中国魏の皇帝が邪馬台国の卑弥呼に贈った「銅鏡百枚」は三角縁神獣鏡か否か。日用の化粧具のほか、結婚のしるし、護符、政権のプロパガンダなど、さまざまに用いられた古代の鏡は、どのようにつくられ使われてきたか。これらの疑問に答えるため、神獣鏡づくりに情熱を注いだ工匠たちの営みに注目し、従来のように図像文様を分類するだけでなく、銘文を読み解くことにより、鮮やかに古代びとの姿をよみがえらせた。
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