| Project/Area Number |
17320038
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Japanese literature
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| Research Institution | Gakushuin University (2007)
Hokkaido University (2005-2006) |
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Principal Investigator |
NAKAYAMA Akihiko Gakushuin University, the Faculty of Letters, Prof. (80261254)
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| Co-Investigator(Kenkyū-buntansha) |
SATO Junji Hokkaido Univ., Grad. School of Letters, Prof. (30282544)
TAKEDA Masaya Hokkaido Univ., Grad. School of Letters, Prof. (40216908)
YING Xiong Hokkaido Univ., Grad. School of Letters, Associate Prof. (50322772)
OSHINO Takeshi Hokkaido Univ., Grad. School of Letters, Associate Prof. (70270030)
MIZUTAMARI Mayumi Hokkaido Univ., Grad. School of Letters, Associate Prof. (00344531)
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| Project Period (FY) |
2005 – 2007
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| Project Status |
Completed (Fiscal Year 2007)
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| Budget Amount *help |
¥8,940,000 (Direct Cost: ¥8,400,000、Indirect Cost: ¥540,000)
Fiscal Year 2007: ¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
Fiscal Year 2006: ¥2,600,000 (Direct Cost: ¥2,600,000)
Fiscal Year 2005: ¥4,000,000 (Direct Cost: ¥4,000,000)
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| Keywords | Representation in Cinema / Expression in Cinema / Print Media and Literary Representation / Media Mix / Gender Studies / 女性表象 / 言語表象 / 映画 / 図像 / 文学 / 機械としての身体 / 断片化される身体 / ジェンダー / ヌーベル・ヴァーグ / モダニズム文化 / マッチョイズム / 身体 / アニメーション / 漫画 / 小説 / ポストコロニアリズム |
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| Research Abstract |
This research conducted clarifies the following five points through a pluralistic investigation of the relationships between audio-visual expression, print culture, and literary expression.
1, In order to demonstrate the differences between audio-visual expression and literary expression, a theoretical analysis on cinema and literature was conducted. Notably, a re-evaluation of theories related to structuralism and semiotics was carried out along with the re-construction of theories related to post modernism to illuminate the possibility for adaptation in cinema and literature.
2, The historical transfiguration of the representing women from 1930's to 1990's becomes evident through an pluralistic examination of the relationships between films, paintings, photographs and icons in Modern Japan.
3, The historical transfiguration of the representing women from 1930's to 1990's was clarified according to the interaction between literary expression and printed expression in Modern Japan.
4, The historical similarities and differences of representing women between France, China and Japan from 1930's to 1990's was conducted clarifies through an pluralistic examination of the relationships between films, paintings, photographs and icons.
5, A theoretical analysis on the results gender studies and feminist criticism was conducted for the deconstruction of the representing women.
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