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THE STUDY OF ORIGINAL STAGING IN THE ELIZABETHAN THEATRE

Research Project

Project/Area Number 17520165
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field ヨーロッパ語系文学
Research InstitutionKyoto University of Education

Principal Investigator

OTA Kojin  KYOTO UNIVERSITY OF EDUCATION, PROFESSOR, 教育学部, 教授 (40168935)

Project Period (FY) 2005 – 2006
Project Status Completed (Fiscal Year 2006)
Budget Amount *help
¥2,800,000 (Direct Cost: ¥2,800,000)
Fiscal Year 2006: ¥1,200,000 (Direct Cost: ¥1,200,000)
Fiscal Year 2005: ¥1,600,000 (Direct Cost: ¥1,600,000)
KeywordsThe Globe / Shakespeare / Elizabethan drama / stage directions / original staging / Elizabethan theatre / upper stage / balcony / stage traps
Research Abstract

About 100 plays were examined in the chronological order based on Afred Harbage, Annals of English Drama. Helped by the search function of the digital texts of "Literature Onine", I carefully searched the stage directions referring to the upper stage in old quartos and modern editions in British Library in London; and also examined over 30 plays in the digital facsimile form of Early English Books Online in National Diet Library, Kansai, Japan.
(1) The present research chiefly focuses on the problems of time actors are allowed to take to move from the main stage to the upper stage, or from the upper to the main stage. The time can be measured with the number of lines spoken during the movement. I thoroughly checked out all the extant English plays up to 1610, and found more than 100 new stage directions instructing ascent to / descent from the upper stage; I rechecked the stage directions I picked out last year and amended some errors, too. Usually ascent takes the time for 10-25 lines, and descent 5-10 lines.
(2) As Mariko Ichikawa of Tohoku University earlier observed, many cases in Shakespeare's corpus require such short time that actors couldn't possibly move from one stage to the other. However, most of the problems seem to be resolved if we don't consider the positions of stage directions too strictly. In Pindarus's cases in JC 5.3, we may assume that he stands not on the upper stage, but upstage. The crux of ROM 3.5 could be also solved, if we make the best use of Q1 text.

Report

(3 results)
  • 2006 Annual Research Report   Final Research Report Summary
  • 2005 Annual Research Report
  • Research Products

    (3 results)

All 2006

All Journal Article (3 results)

  • [Journal Article] Enter above.(1)-エリザベス朝演劇の二階舞台における登場と退場-2006

    • Author(s)
      太田 耕人
    • Journal Title

      京都教育大学紀要 第109号

      Pages: 128-142

    • NAID

      110006221551

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      2006 Annual Research Report 2006 Final Research Report Summary
  • [Journal Article] Enter above.(I) : Ascending and Descending the Upper Stage in the Elizabethan Theatre2006

    • Author(s)
      Kojin Ota
    • Journal Title

      Bulletin of Kyoto University of Education vol.109

      Pages: 128-142

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      2006 Final Research Report Summary
  • [Journal Article] 劇評から上演研究へ2006

    • Author(s)
      太田 耕人
    • Journal Title

      関西シェイクスピア研究会会報 27号

      Pages: 11-11

    • Related Report
      2005 Annual Research Report

URL: 

Published: 2005-04-01   Modified: 2016-04-21  

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