| Project/Area Number |
17H02291
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | University of Tsukuba |
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Principal Investigator |
KANNO CHIAKI 筑波大学, 芸術系, 教授 (90272088)
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| Co-Investigator(Kenkyū-buntansha) |
矢野 千載 盛岡大学, 文学部, 教授 (20326705)
金 貴粉 大阪経済法科大学, 公私立大学の部局等, 研究員 (20648711)
高橋 佑太 二松學舍大學, 文学部, 講師 (30803324)
下田 章平 相模女子大学, 学芸学部, 准教授 (60825826)
高橋 利郎 大東文化大学, 文学部, 教授 (80647769)
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| Project Period (FY) |
2017-04-01 – 2021-03-31
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| Project Status |
Completed (Fiscal Year 2021)
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| Budget Amount *help |
¥16,120,000 (Direct Cost: ¥12,400,000、Indirect Cost: ¥3,720,000)
Fiscal Year 2020: ¥4,940,000 (Direct Cost: ¥3,800,000、Indirect Cost: ¥1,140,000)
Fiscal Year 2019: ¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2018: ¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2017: ¥3,900,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥900,000)
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| Keywords | 書壇 / 比較美術史 / 書道史 / 近代東アジア |
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| Outline of Final Research Achievements |
This study focuses on shodan calligraphy societies, which were actively organized in modern East Asia, and aims to provide a structural trace of their formation process through a comparative analysis of the three regions of Japan, China, and Korea (South Korea). Through individual study in each of the three regions and comparative regional study at two symposiums, it became apparent that the formation of each shodan reflects the unique circumstances of each region, such as perceptions of calligraphy, painting, and art; emphasis on production, appreciation, and study; organizational hierarchy; and the degree of the pursuit of profit. Such circumstances could thus serve as effective indicators for typologically understanding shodan in each region.
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| Academic Significance and Societal Importance of the Research Achievements |
本研究は、書に関わる人的組織に焦点を当てるものだが、各組織の個別的研究において発掘された書作品や書の理論は、書道史を構成する作品論や書論研究といった各領域に対し、新たな材料を提供することになる。また、本研究では「書画」の枠組に基づく組織も対象に据えたことから、絵画・美術という隣接領域の団体研究にも貢献し得るものがあり、さらには東アジア三地域を相互に比較したことから、三元的な比較文化研究としても波及効果が期待できる。
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