| Budget Amount *help |
¥4,420,000 (Direct Cost: ¥3,400,000、Indirect Cost: ¥1,020,000)
Fiscal Year 2019: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2018: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2017: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
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| Outline of Final Research Achievements |
This study aims to clarify the changes and development of traditional calligraphy culture by Manchu emperors’ cultural policies related to calligraphy in the Qing dynasty of China. The Qianlong Emperor inherited the cultural policies of calligraphy started by the Kangxi Emperors, and promoted them on a large scale. The collection of calligraphic works by the Qianlong Emperor removed a great number of works which should be the model calligraphy from the public sphere. In other words, it formed a vacuum of calligraphy albums. As a result, a lot of “forged” authentic works spread widely; Wei Jiang Tie 偽絳帖 and the publication of many copybooks by Qinghuazhai Fatiedian 清華斎法帖店 were typical examples. In this way forgeries were taken as genuine and were valued as highly as authentic albums. This can be situated as one of the reasons for the emergence of new stele studies.
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