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The general educatinal method of the trainning for the musical expression and Ryukyu and westernized instruments

Research Project

Project/Area Number 17K02372
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeMulti-year Fund
Section一般
Research Field Art at large
Research InstitutionOkinawa Prefectural University of Arts

Principal Investigator

Kondoh Harue  沖縄県立芸術大学, 音楽学部, 教授 (50316204)

Co-Investigator(Kenkyū-buntansha) 岡田 光樹  沖縄県立芸術大学, 音楽学部, 教授 (10336977)
山内 昌也  沖縄県立芸術大学, 音楽学部, 教授 (60794344)
Project Period (FY) 2017-04-01 – 2020-03-31
Project Status Completed (Fiscal Year 2019)
Budget Amount *help
¥4,160,000 (Direct Cost: ¥3,200,000、Indirect Cost: ¥960,000)
Fiscal Year 2019: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2018: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2017: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Keywords琉球楽器 / 弦楽器 / 工工四 / 現代音楽 / 創作 / 伝統音楽の五線譜化 / 伝統楽器 / 現代奏法 / 現代邦楽 / フォルマシオン・ミュジカル / 練習曲集
Outline of Final Research Achievements

Okinawa's Ryukyu classical music has the uniqueness of their practical educatinal skil and their own notation called "Kun-kun-shi".On the other hand,collaboration of music in different cultures, not just a single genre,has become common.
Under such circumstances,a works on the violin as the westernized string instrument and sanshin of Okinawa classical music,which are string insturments of the same range were positioned in each history.So we created an album as a recording (CD booklet)with a research that looks through the music culture of both,also composed and presented ansemble works for young learners studying sanshin and string instruments.In addition,the original notation"Kun-kun-shi"of the Ryukyu classical masterpieces were translated to the pentagrama music sheet and compiled as a booklet.

Academic Significance and Societal Importance of the Research Achievements

全国で唯一の専攻である琉球古典音楽専攻の若い学生たちが、西洋楽器との接点と歴史的意義を俯瞰することで、ジャンルを超えた合奏作品として、演奏と研究双方での可能性を見出すための一助となる創作作品と録音物として仕上げることが出来た。
また、西洋音楽の分野からは、今や特殊な技法というよりも一般的になった現代技法などの学習として、弦楽の特殊奏法などを組み込んだ二重奏とアンサンブル作品の多様性を広く世に問う機会となった。

Report

(4 results)
  • 2019 Annual Research Report   Final Research Report ( PDF )
  • 2018 Research-status Report
  • 2017 Research-status Report
  • Research Products

    (6 results)

All 2020 2019 2018

All Presentation (4 results) (of which Int'l Joint Research: 1 results,  Invited: 2 results) Funded Workshop (2 results)

  • [Presentation] 琉球楽器、西洋楽器による創作作品2020

    • Author(s)
      近藤春恵
    • Organizer
      日本表現学会
    • Related Report
      2019 Annual Research Report
  • [Presentation] 琉球楽器と弦楽アンサンブルによる試み2020

    • Author(s)
      近藤春恵
    • Organizer
      Puente Festival and Conference (Chile)
    • Related Report
      2019 Annual Research Report
    • Int'l Joint Research / Invited
  • [Presentation] 琉球古典音楽"渓の響”2019

    • Author(s)
      山内昌也
    • Organizer
      京都大学
    • Related Report
      2018 Research-status Report
    • Invited
  • [Presentation] Moh-Ashibi Ⅱ2018

    • Author(s)
      近藤 春恵
    • Organizer
      日本作曲家協議会
    • Related Report
      2017 Research-status Report
  • [Funded Workshop] 国際現代音楽祭 アジアの管絃の現在20192019

    • Related Report
      2019 Annual Research Report
  • [Funded Workshop] 国際現代音楽祭「アジアの音舞・管絃の現在2018-19」2018

    • Related Report
      2018 Research-status Report

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Published: 2017-04-28   Modified: 2021-02-19  

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