| Project/Area Number |
17K02426
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Japanese literature
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| Research Institution | Hosei University |
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Principal Investigator |
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| Project Period (FY) |
2017-04-01 – 2021-03-31
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| Project Status |
Completed (Fiscal Year 2020)
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| Budget Amount *help |
¥2,080,000 (Direct Cost: ¥1,600,000、Indirect Cost: ¥480,000)
Fiscal Year 2019: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2018: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2017: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | 謡本 / 書誌学 / 能楽 / 出版史 / 出版 / 文学一般 |
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| Outline of Final Research Achievements |
This study mainly examines how Noh actors and Noh amateurs were involved in the production of Utaibons published in the early modern period. In previous research, there was a preconceived notion that the major project of publishing Utaibons were led by Noh actors. In contrast, this study raises the important issue that the act of making published Utaibons is deeply connected to the Utai culture of amateurs who copy and collect Utaibons, and that they were the driving force behind the production of Utaibons in the early days of publishing.
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| Academic Significance and Societal Importance of the Research Achievements |
能の詞章を記した謡本は、楽譜の一種でありながら読み物のように扱われることがある特殊な本である。それゆえ、他の同時代の刊行物との類似性がありながら、切り離されて研究されてきた。本研究では近世初期の出版文化に関する研究を積極的に援用して、これらの研究と謡本研究を接続させることを実践した。この成果によって、謡本と他の刊本との共通性と謡本の独自性が明らかになり、今後より広い視野で謡本が研究される契機を作ることができたと考える。
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