| Project/Area Number |
17K02623
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
European literature
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| Research Institution | Sapporo University |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
越野 剛 東京大学, 大学院人文社会研究科, 助教 (90513242)
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| Project Period (FY) |
2017-04-01 – 2020-03-31
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| Project Status |
Completed (Fiscal Year 2019)
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| Budget Amount *help |
¥4,420,000 (Direct Cost: ¥3,400,000、Indirect Cost: ¥1,020,000)
Fiscal Year 2019: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2018: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2017: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 外国文学 / 美術史 / ロシア / ポストモダニズム / 身体 / 外国文学(中・英・仏・独除く) |
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| Outline of Final Research Achievements |
This research focused on recently published Russian novels and poetries. The works of V. Sorokin and V. Pelevin, important writers of Russian post-modern literature, and the changes of their texts during post-Soviet era were analyzed to discuss the relationship between signs and bodies as well as totalism and bodies. The results of this analysis were presented in a panel discussion of the Japanese Association of Russian Scholars.
Contemporary Russian arts, which use literary imagination, were also studied. The works of P. Pepperstein, AES+F, O. Kulik, and P. Pavlensky were examined, focusing on their sexuality and politics, and the results of the study were reported at international symposiums held at Ulaanbaatar, Kyoto, and Tokyo.
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| Academic Significance and Societal Importance of the Research Achievements |
1990年代以降のロシア・ポストモダニズムについては、紹介や概説という段階はすでに完了している。本研究ではロシア・ポストモダニズム文学に現れた身体イメージを分析しながら、性、政治、記号論など様々なテーマを顕在化させた。これにより、今後のより深い作品分析のための切り口を見出した。
一方、日本において十全な紹介のなされていないロシアの現代アートについても調査を行い、特に身体イメージについてその政治性を考察した。
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