| Budget Amount *help |
¥3,900,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥900,000)
Fiscal Year 2019: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2018: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2017: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Outline of Final Research Achievements |
This research project aims to clarify the close relationship between theatre and music publishing within the context of musical popularity in nineteenth-century Europe. During this period, Europeans enjoyed various types of songs, from artistic and operatic to simple and popular songs. Moreover, some popular operatic songs were arranged and published in different ways. By producing and distributing music, theatres and music publishers contributed to sharing musical tastes across European cities. As opposed to the previous discussion of music reception, stable composer-performer-audience relationships were not possible during the music dissemination process.
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