Researches on restoration and reproduction of the early photographic process in Japan
| Project/Area Number |
18500771
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Cultural property science
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| Research Institution | Nihon University |
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Principal Investigator |
TAKAHASHI Norihide Nihon University, College of Art, Professor (10188039)
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| Co-Investigator(Kenkyū-buntansha) |
ISHIKAWA Hiroo Kyusyu Sangyo University, Faculty of Fine Arts, Professor (40104864)
HIMENO Jyunichi Nagasaki University, Faculty of Environmental Studies, Professor (00117227)
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| Project Period (FY) |
2006 – 2007
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| Project Status |
Completed (Fiscal Year 2007)
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| Budget Amount *help |
¥3,390,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥390,000)
Fiscal Year 2007: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2006: ¥1,700,000 (Direct Cost: ¥1,700,000)
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| Keywords | History of Photography / Wet Collodion Process / Photographic Process / Artwork Technique / Cultural Properties Protection / 製作方法 |
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| Research Abstract |
Reproduction of early photographic processes ;
Based on Handbook of Chemistry (Seimi-kyoku Hikkei) by Hikoma Ueno and Illustrated Handbook of Photography (Syashin-kyo Zusetsu) by Shunsan Yanagawa, experiments and considerations were performed about wet collodion process and albumen paper which were the first practical photography in Japan. Although not coming to definitely confirm the difference of images by early photographic processes, further research will be continued in the 2009 fiscal year. Moreover, experiment of daguerreotype, which stopped at the stage of a research experiment in our country, was undertaken based on A Guide of Western Technology (Ensei Kikijyutu) by Komin Kawamoto and good result was obtained.
Investigation of early photographs, equipments and documents ;
Wet collodion process and daguerreotype equipments at the International Museum of Photography, George Eastman House. A portable darkroom for wet plate photography at the National Museum of American History, Smithsonian Institution. In Japan, joint investigation with Mr. Mark Osterman, of wet plate negatives at Tomishige Photo Studio in Kumamoto City and wet plate negatives by Matsusaburo Yokoyama in Edo-Tokyo Museum. At the Yamaguchi Prefectural Hagi Museum, Theory of Photography (Hotogarahi-no setsu), a manuscript called the oldest existing wet collodion process technical document by Jihei Nakajima.
Restoration of early photographic equipments ;
Portable darkroom for wet plate photography by Hikoma Ueno, and silver bath container in Tomishige Photo Studio were restored. Sensitizing boxes and mercury developing device for daguerreotype were also restored.
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Report
(3 results)
Research Products
(19 results)
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[Journal Article] 上野彦馬の西南戦争写真と携帯暗室について2007
Author(s)
姫野順一, 高橋則英
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Journal Title
江戸のモノづくり国際シンポジウム報告集一近世科学技術のDNAと現代ハイテクにおける我が国科学技術アイデンティティーの確立
Pages: 231-238
Description
「研究成果報告書概要(和文)」より
Related Report
Peer Reviewed
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[Journal Article] 上野彦馬著「舎密局必携」の研究2007
Author(s)
石川寛夫, 川上力
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Journal Title
江戸のモノづくり国際シンポジウム報告集一近世科学技術のDNAと現代ハイテクにおける我が国科学技術アイデンティティーの確立
Pages: 239-242
Description
「研究成果報告書概要(和文)」より
Related Report
Peer Reviewed
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