| Project/Area Number |
18520084
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Kyoto University |
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Principal Investigator |
OKADA Akeo Kyoto University, Institute for research in humanities, associate-professor (70243136)
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| Project Period (FY) |
2006 – 2007
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| Project Status |
Completed (Fiscal Year 2007)
|
| Budget Amount *help |
¥3,420,000 (Direct Cost: ¥3,000,000、Indirect Cost: ¥420,000)
Fiscal Year 2007: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2006: ¥1,600,000 (Direct Cost: ¥1,600,000)
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| Keywords | piano / European music / technique / 19th century / piano education / music education / body training / virtuoso / 身体 / ヨーロッパ / 練習曲 / ロマン派 / 楽器製造 |
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| Research Abstract |
Technique ist the keyword to the understanding of the 19^<th> century music. This century was possessed by the idea of progress by means of technical inventions. One of such examples is the prevalence of the piano etude, exercises,uebungen etc. In this research we collected and analysed many piano books published in the 19th century The idea of strengthening finger-muscles by means of mechanical training was the product of this century While at the beginning of the 19^<th> century the systematic methode still lacked (Cramer, Clementi, Czerny etc), in the latter half of it many systematized finger-drills were published like Pischna or Hanon.
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