Fundamental researches about the organization and the production of Buddhism sculpture in the Edo period
| Project/Area Number |
18520107
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Kansai University |
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Principal Investigator |
HASE Youichi Kansai University, Faculty of Letters, Professor (60388410)
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| Project Period (FY) |
2006 – 2007
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| Project Status |
Completed (Fiscal Year 2007)
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| Budget Amount *help |
¥1,380,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥180,000)
Fiscal Year 2007: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2006: ¥600,000 (Direct Cost: ¥600,000)
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| Keywords | Buddhist sculptors / Shimizu-jouun / Specifications / Production process of Buddhist image / Carving after the original / 造像関連文書 / 神津家文書 / 京都仏師関連文書 / 大坂仏師 / 近世仏師 / 造像仕様書 / 康乗 / 北川運長 / 山本茂祐 |
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| Research Abstract |
The Kyoto term for Buddhist sculptors document consists of a craftsman of nanajou - butusi image and the Shimizu-jouun. I was able to know a basic process of the production by investigation, the accumulation of the iconographic Buddhist image, ordering, delivery of goods, production charges. The iconographic Buddhist image was used in common by production, but it was not the iconographic Buddhist image for a person of ordering, and what I showed on the specifications which I wrote down materials or an execution method became clear. As for the making of specifications, a thing of 1670 is the oldest, but generalizes it afterwards.
As for the making of specifications, a thing of 1670 is the oldest, but generalizes it afterwards. This point is related with the process when the seven lines of power shifts from a master craftsman of Buddhist image to the master craftsman of Buddhist image of the town after the latter half in the 17th century.
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Report
(3 results)
Research Products
(13 results)
