Flaubert's Literature and Sciences of the 19th Century
| Project/Area Number |
19520249
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
ヨーロッパ語系文学
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| Research Institution | Kyoto City University of Arts |
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Principal Investigator |
KASHIWAGI Kayoko Kyoto City University of Arts, 美術学部, 教授 (10128689)
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| Project Period (FY) |
2007 – 2009
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| Project Status |
Completed (Fiscal Year 2009)
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| Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2008: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2007: ¥2,340,000 (Direct Cost: ¥1,800,000、Indirect Cost: ¥540,000)
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| Keywords | 仏文学 / 比較文学 / 文学論 / 神経科学 / 触媒 / 科学プロセス / 自然科学 / 触媒・科学プロセス |
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| Research Abstract |
The story of Madame Bovary is on the basis of Flaubert's medical knowledge. Furthermore, his posthumous work, Bouvard et Pecuchet reveals the weakness of the 19^<th>-Century natural science, including medicine. Flaubert, in the course of the quick development of sciences, produces path-breaking literature. The scene of "space" in La Tentation de Saint Antoine is revised three times. The 1849 and the 1856 editions illustrate his commitment to Descartes' dualism and Spinoza's monism. In the final version, he regards the mythological religious order before the Enlightenment as "the art predicting sciences".
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Report
(4 results)
Research Products
(18 results)
