Pitch and temperament of the Japanese folk music and utai -How to stop the invasion of the western equal temperament into traditional japanese music
Project/Area Number |
19530823
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Education on school subjects and activities
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Research Institution | Ehime University |
Principal Investigator |
KISHI Keiko Ehime University, 教育学部, 教授 (40036489)
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Project Period (FY) |
2007 – 2009
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Project Status |
Completed (Fiscal Year 2009)
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Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2009: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2008: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2007: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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Keywords | 音律 / 謡 / ピタゴラス音律 / ピッチ / 三分損益 / 5度 / 音声分析 / ヨワ吟 / 音階 / ピタゴラス音階 / 唸り / 12平均律 / 三分損益法 / 雅楽 / 平均律 / 純正音程 |
Research Abstract |
In the elementary and junior high schools traditional japanese music is played often in equal temperament. Japanese music played in western temperament sounds strange and queer and loses its original beauty. The purpose of the research is to analyze the pitch of Utai tone of the Noh masters and to prevent invasion of western pitch cense into Japanese traditional music as Nohgaku. In this study the various short utai phrases "Kaede irozuku yama no asa wa" are analyzed to the F0 (fundamental frequency).
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Report
(4 results)
Research Products
(24 results)
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[Presentation] バッハ音律2007
Author(s)
岸 啓子
Organizer
日本音楽学会全国大会
Place of Presentation
青葉学院大学(仙台市)
Year and Date
2007-09-28
Related Report
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