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The concept of musique informelle : its historical development and its contemporary significance

Research Project

Project/Area Number 19720023
Research Category

Grant-in-Aid for Young Scientists (B)

Allocation TypeSingle-year Grants
Research Field Aesthetics/Art history
Research InstitutionEhime University

Principal Investigator

TAKAYASU Keisuke  Ehime University, 法文学部, 准教授 (70346659)

Project Period (FY) 2007 – 2010
Project Status Completed (Fiscal Year 2010)
Budget Amount *help
¥1,470,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥270,000)
Fiscal Year 2010: ¥260,000 (Direct Cost: ¥200,000、Indirect Cost: ¥60,000)
Fiscal Year 2009: ¥260,000 (Direct Cost: ¥200,000、Indirect Cost: ¥60,000)
Fiscal Year 2008: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2007: ¥300,000 (Direct Cost: ¥300,000)
Keywordsアドルノ / 前衛 / 現代音楽 / 美学 / 音楽史 / ダルムシュタット / 音楽学
Research Abstract

The concept of musique informelle, which Adorno introduced in his lecture in Darmstadt in 1961, suggested ways to develop avant-garde music as art music, and this concept remains an instructive concept for contemporary composition. On the one hand, Adorno's notion of musique informelle maintains the core requirements for art music, i. e., striving for a high level of construction and expression, in order to realize an artwork with fully developed form and content. On the other hand, musique informelle represents the essential motivation of avant-garde music: free music that seeks free construction as well as free expression, not restricted by convention, and not externally controlled. Literally, the form of this music is "informal" in the sense that it does not obey any given schematic form. This informal form is also expected to include an intrinsic truth in its content. This criterion is based on the following model of music production. If the composer does not give the music materials any prepared form, the composer must handle the materials by following their tendencies. Thus, the music's form is found in the very core of its material. The form revealed is, therefore, far beyond the composer's intention, and this form can be expected to include some objective content.

Report

(6 results)
  • 2010 Annual Research Report   Final Research Report ( PDF )
  • 2009 Annual Research Report   Self-evaluation Report ( PDF )
  • 2008 Annual Research Report
  • 2007 Annual Research Report
  • Research Products

    (14 results)

All 2011 2010 2009 2007 Other

All Journal Article (6 results) Presentation (2 results) Book (4 results) Remarks (2 results)

  • [Journal Article] アドルノの講演「不定形音楽に向けて」への注釈2011

    • Author(s)
      高安啓介
    • Journal Title

      愛媛大学法文学部論集人文学科編 30号

      Pages: 155-175

    • NAID

      120006526893

    • URL

      http://iyokan.lib.ehime-u.ac.jp/dspace/bitstream/iyokan/427/1/AN10579404_2011_30-07.pdf

    • Related Report
      2010 Final Research Report
  • [Journal Article] アドルノ講演「不定形音楽に向けて」への注釈2011

    • Author(s)
      高安啓介
    • Journal Title

      愛媛大学法文学部論集 人文学科編

      Volume: 30 Pages: 155-175

    • Related Report
      2010 Annual Research Report
  • [Journal Article] グローバルな文脈における芸術音楽2010

    • Author(s)
      高安啓介
    • Journal Title

      『人文学論叢』(愛媛大学人文学会) 12号

      Pages: 11-22

    • NAID

      40018775805

    • Related Report
      2010 Final Research Report
  • [Journal Article] アウシュヴィッツ以後の芸術2010

    • Author(s)
      高安啓介
    • Journal Title

      愛媛大学法文学部論集人文学科編 29号

      Pages: 101-115

    • NAID

      120006526811

    • URL

      http://iyokan.lib.ehime-u.ac.jp/dspace/bitstream/iyokan/414/1/AN10579404_2010_29-04.pdf

    • Related Report
      2010 Final Research Report
  • [Journal Article] アウシュヴィッツ以後の芸術2010

    • Author(s)
      高安啓介
    • Journal Title

      愛媛大学法文学部論集 人文学科編

      Volume: 29 Pages: 101-115

    • NAID

      120006526811

    • Related Report
      2010 Annual Research Report
  • [Journal Article] グローバルな文脈における芸術音楽2010

    • Author(s)
      高安啓介
    • Journal Title

      人文学論叢(愛媛大学人文学会編)

      Volume: 12 Pages: 11-22

    • NAID

      40018775805

    • Related Report
      2010 Annual Research Report
  • [Presentation] ArtMusic in the Japanese Context : On the Dialectics of the Traditional and the Avant-garde.2011

    • Author(s)
      Keisuke Takayasu.
    • Organizer
      Asia and Europe in a Global Context: Shifting Asymmetries in Cultural Flows
    • URL

      http://www.asia-europe.uni-heidelberg.de/en/research/b-public-spheres/b2/activities-and-events.html

    • Place of Presentation
      Heidelberg University.
    • Year and Date
      2011-02-03
    • Related Report
      2010 Final Research Report
  • [Presentation] Art Music in the Japanese Context -On the Dialectics of the Traditional and the Avant-garde2011

    • Author(s)
      Keisuke Takayasu
    • Organizer
      The Cluster of Excellence, Asia and Europe in a Global Context : Shifting Asymmetries in Cultural Flows
    • Place of Presentation
      Heidelberg University Germany
    • Year and Date
      2011-02-03
    • Related Report
      2010 Annual Research Report
  • [Book] 芸術はどこから来てどこへ行くのか(高安執筆箇所「音楽の仮象性格」)2009

    • Author(s)
      高安啓介ほか
    • Publisher
      晃洋書房
    • Related Report
      2010 Final Research Report
  • [Book] 芸術はどこから来てどこへ行くのか2009

    • Author(s)
      高安啓介
    • Publisher
      晃洋書房
    • Related Report
      2009 Self-evaluation Report
  • [Book] 芸術のアカデミア(共著)2009

    • Author(s)
      神林先生古希記念論文集
    • Publisher
      晃洋書房
    • Related Report
      2008 Annual Research Report
  • [Book] アドルノ 否定弁証法講義 (共訳)2007

    • Author(s)
      アドルノ
    • Total Pages
      374
    • Publisher
      作品社
    • Related Report
      2007 Annual Research Report
  • [Remarks] 高安啓介、ラッヘンマンの音楽コンポージアム2009年東京オペラシティ

    • Related Report
      2009 Self-evaluation Report
  • [Remarks] 高安啓介(共訳)、作品社アドルノ:否定弁証法講義2007年

    • Related Report
      2009 Self-evaluation Report

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Published: 2007-04-01   Modified: 2016-04-21  

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