The Political and Cultural History of the Stage-Irishman in Modern English Drama
| Project/Area Number |
19720058
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
ヨーロッパ語系文学
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| Research Institution | Tohoku University |
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Principal Investigator |
IWATA Miki Tohoku University, 大学院・文学研究科, 准教授 (50361051)
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| Project Period (FY) |
2007 – 2009
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| Project Status |
Completed (Fiscal Year 2009)
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| Budget Amount *help |
¥3,640,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥540,000)
Fiscal Year 2009: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2008: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2007: ¥1,300,000 (Direct Cost: ¥1,300,000)
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| Keywords | アイルランド / 演劇 / ステージ・アイリッシュマン / 非標準英語 / 表象文化 / ハイブリディティ / 劇場 / ロンドン / 近代英語演劇 / 英語史 / 標準言語運動 / カルチュラル・ナショナリズム / キャラクター論 / メタ演劇 |
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| Research Abstract |
In this research programme, I examined the cultural and political contexts of the stage-Irishman representations in modern English drama. Focusing especially on those by the Anglo-Irish playwrights including George Farquhar and R. B. Sheridan, I have made clear how they appropriated the stereotype, which originally had ridiculed the Irish people, in order to make it potentially subversive. Their strategy has a possibility as a model to analyse other types of subaltern representations.
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Report
(4 results)
Research Products
(22 results)
