The Formation of Genre in Burmese Songs with Special Reference to Song Creating Techniques from Eighteenth to Nineteenth Centuries
| Project/Area Number |
19720076
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Literatures/Literary theories in other countries and areas
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| Research Institution | Tokyo University of Foreign Studies |
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Principal Investigator |
INOUE Sayuri Tokyo University of Foreign Studies, 世界言語研究センター, 講師 (40447503)
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| Project Period (FY) |
2007 – 2009
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| Project Status |
Completed (Fiscal Year 2009)
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| Budget Amount *help |
¥3,870,000 (Direct Cost: ¥3,300,000、Indirect Cost: ¥570,000)
Fiscal Year 2009: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2008: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2007: ¥1,400,000 (Direct Cost: ¥1,400,000)
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| Keywords | ビルマ / 音楽 / 歌謡 / 文学 / ジャンル / 写本 / 貝葉 / 詩 |
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| Research Abstract |
I analyzed song anthologies manuscripts, and observed the performance in the competition of performing arts which is held every year, and students who study instruments, especially Burmese harp. I also took lessons of Burmese harp by orally from my teacher. I demonstrated that, in oral tradition, the tune patterns have a important role. Further, the variant which is said to be unified because of recordings, educational system, still can be observed even in the competition of performing arts. Meanwhile, I illustrated how the genre divisions in classical songs had been formed, and I concluded these genre divisions have influence on performance.
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Report
(4 results)
Research Products
(20 results)
